Buttering the musical muffin..

Suzuki SX500 / Siel EX80 (mini-review)

Posted on June 8th, 2011.
Category:  gear, max for live     
5 comments

A few weeks ago a friend gave me this curious looking box. A Suzuki synthesizer? Surely not.

A google search turned up very little, except a page at Hollow Sun. Essentially the Suzuki SX500 is a rebadged Siel EX80 which in turn was a copy of the Korg EX800.

Here’s what we know. There are two DCOs offering sawtooth and square waveforms (the square waveform can mix up to 4 octaves of square waves together). There is an analogue 24db Low Pass Filter (SSM Filter IC). Two amp envelopes (yes two!), filter envelope, two LFOs (hardwired to osc pitch and filter frequency), chorus effect and a basic record/playback sequencer.

Unfortunately it’s not a true polyphonic synth. It’s paraphonic, meaning that there is only one filter and amp for all 8 voices (actually there are two amps for a slightly odd ‘double’ mode which gives 2 x 4 voices with an interval setting for detuning the 2nd set of voices).

Here’s a quick demo I knocked up. It’s raw SX500 except for some delay (even the best analogue synths can sound a bit lifeless without effects). I think it sounds rather fine!

Suzuki SX500 / Siel EX80 Demo by Rozzer

Apparently when the unit was shipped, the SSM filter chip was tweaked to tame its resonance. Presumably the engineers believed that extreme resonance settings weren’t good for realistic sounds, which is clearly what this was aimed at (check out the list of preset patches printed on the top of the unit). Luckily there is a pot which can be tweaked inside which will restore the SSM chip to it’s screaming former glory. More details on the pot tweak here.

One of the nice aspects of the unit is that every parameter is controllable via midi cc#. This gives a good opportunity for control via your DAW. I knocked up a controller for Ableton Max For Live, which if nothing else, should give you a good idea of all the parameter the synth has to offer. Download the SX500 / ES80 controller.

Overall the SX500 / EX80 is far from perfect. The envelopes are really slow, the oscillators are limited in waveforms, it’s not truly polyphonic and some of the features are esoteric by todays standards but it has a definite charm. I think if you can find one, they can be had for very reasonable prices. Definitely worth a punt.

Ableton Live & Max For Live – Integrating hardware

Posted on August 2nd, 2010.
Category:  gear, max for live     
12 comments

I’ve been spending some time recently creating Max For Live controllers for all my hardware. The beauty of this is you can program a dedicated editor, with patch browsing, in whatever configuration suits you and have all parameters available for automation within Live. It means you can forget about what midi controller number does what on your synth and concentrate on making music. Read more…

Advanced Step Sequencer – A Max For Live MIDI Sequencer

Posted on February 28th, 2010.
Category:  max for live     
15 comments

My first little Max4Live project. A monophonic midi step sequencer.

On the surface it’s reasonably standard. It’s a grid based sequencer – notes, gate, tie, velocity and two control changes. What’s unique about it is that you can set different loop points for each of those elements, which allows for anything from simple 303-style basslines to endlessly evolving, rotating, mutating melody lines. Read more…